Bureaucrats, staff, Administrators
720
edits
no edit summary
(meh that's a quarter of it) |
No edit summary |
||
| Line 4: | Line 4: | ||
===Enhancement of Vision=== | ===Enhancement of Vision=== | ||
Enhancement of vision is an effect most consistently reported form of psychedelic hallucination, occurring even at smaller doses and regardless of the manner of visual stimuli. It can be generally defined as an overall increase in the level of visual input attributed to the external environment a person experiences. | Enhancement of vision is an effect most consistently reported form of psychedelic hallucination, occurring even at smaller doses and regardless of the manner of visual stimuli. It can be generally defined as an overall increase in the level of visual input attributed to the external environment a person experiences. | ||
====Increased Visual Acuity==== | ====Increased Visual Acuity==== | ||
Visual acuity is defined by the medical literature as acuteness or clearness of vision, which is dependent on the sharpness of the retinal focus within the eye and the sensitivity of the interpretative faculty of the brain. | Visual acuity is defined by the medical literature as acuteness or clearness of vision, which is dependent on the sharpness of the retinal focus within the eye and the sensitivity of the interpretative faculty of the brain. | ||
| Line 14: | Line 12: | ||
====Enhancement of Colour==== | ====Enhancement of Colour==== | ||
[[File:VIu6h.jpg|200px|thumb|right]] | [[File:VIu6h.jpg|200px|thumb|right|Example of colour enhancement in a nature scene]] | ||
Although this is one of the more basic visual effects, to be understood completely it needs to be experienced. During the onset of a trip almost all people notice that colours start to stand out more, becoming extremely bright and vivid. Reds will seem “Redder”, Greens will seem “Greener” and all colours will be become much more distinct, powerful and intense than they would be normally. A consistent way to reproduce this effect is in a natural environment, including many different colours with great detail. | Although this is one of the more basic visual effects, to be understood completely it needs to be experienced. During the onset of a trip almost all people notice that colours start to stand out more, becoming extremely bright and vivid. Reds will seem “Redder”, Greens will seem “Greener” and all colours will be become much more distinct, powerful and intense than they would be normally. A consistent way to reproduce this effect is in a natural environment, including many different colours with great detail. | ||
====Enhanced Pattern Recognition==== | ====Enhanced Pattern Recognition==== | ||
[[File:UKSdk.jpg|200px|thumb|left]] | [[File:UKSdk.jpg|200px|thumb|left|Colour enhancement and patterning on tree bark]] | ||
Pattern recognition does not outright change the appearance of the external environment, but is rather an effect of the level of detail is being seen in it. During even a mild trip it is common for people to suddenly notice patterns and textures that they may have never previously appreciated or paid any attention to previously. For example when looking at a carpet, a pavement or tree bark the complexity and beauty of the texture suddenly becomes obvious. | Pattern recognition does not outright change the appearance of the external environment, but is rather an effect of the level of detail is being seen in it. During even a mild trip it is common for people to suddenly notice patterns and textures that they may have never previously appreciated or paid any attention to previously. For example when looking at a carpet, a pavement or tree bark the complexity and beauty of the texture suddenly becomes obvious. | ||
| Line 25: | Line 23: | ||
===Distortions=== | ===Distortions=== | ||
Distortions are generally described as open eye alterations and changes in perception attributed to the external environment. They are always obviously grounded in reality and gradually increase as a person stares but are completely non permanent, meaning that they reset to normal once a person "double takes." | Distortions are generally described as open eye alterations and changes in perception attributed to the external environment. They are always obviously grounded in reality and gradually increase as a person stares but are completely non permanent, meaning that they reset to normal once a person "double takes." | ||
| Line 33: | Line 30: | ||
====Flowing Textures==== | ====Flowing Textures==== | ||
Flowing, shifting, rippling or moving textures on surfaces are a strong visual effect that can happen to virtually anything in a number of different styles. A classic example of this however could be wood grain or carpets flowing like a river in a seamless and looped animation. | Flowing, shifting, rippling or moving textures on surfaces are a strong visual effect that can happen to virtually anything in a number of different styles. A classic example of this however could be wood grain or carpets flowing like a river in a seamless and looped animation. A consistent way to reproduce this visual is to stare at wood grain and lose focus. | ||
A consistent way to reproduce this visual is to stare at wood grain and lose focus | |||
====Tracers==== | ====Tracers==== | ||
Tracers are the simple experience of trails being left behind moving objects such as people, birds or cars. Tracers are usually very obvious and are similar in appearance to the same sort of trails found behind moving objects in long exposure photographs. Manifesting themselves as smooth trails or multiple layers of the same repeated image which progressively fades into the background with each repetition. The trails can be exactly the same colour as the moving object that is producing it or can sometimes be a randomly selected colour of its own. Usually floating in the air for approximately 2 – 3 seconds. | Tracers are the simple experience of trails being left behind moving objects such as people, birds or cars. Tracers are usually very obvious and are similar in appearance to the same sort of trails found behind moving objects in long exposure photographs. Manifesting themselves as smooth trails or multiple layers of the same repeated image which progressively fades into the background with each repetition. The trails can be exactly the same colour as the moving object that is producing it or can sometimes be a randomly selected colour of its own. Usually floating in the air for approximately 2 – 3 seconds. | ||
The deepest or most extreme | |||
The deepest or most extreme form of this occurs generally on only high doses, wherein your entire visual field becomes encompassed by tracers - giving the appearance that your visual field is smudging into a huge indistinct blur every time you simply move your eyes. | |||
A consistent way to reproduce this visual is to move your hand in front of your face or throw an object. | A consistent way to reproduce this visual is to move your hand in front of your face or throw an object. | ||
====Shifting Colours==== | ====Shifting Colours==== | ||
Quite often the colours of various objects, particularly brightly coloured out of place objects, will become subject to an effect that shifts and changes the colours through a repeated cycling of hues in a sort of strange fluid motion across its surface. For example Moss on a rock could physically shift from green, to red, to blue and then back to green again in a very short space of time | Quite often the colours of various objects, particularly brightly coloured out of place objects, will become subject to an effect that shifts and changes the colours through a repeated cycling of hues in a sort of strange fluid motion across its surface. For example Moss on a rock could physically shift from green, to red, to blue and then back to green again in a very short space of time. | ||
====Melting==== | ====Melting==== | ||
It is not unusual to for objects and sceneries to be completely or partially melting. They begin at lower doses as a drifting of straight edges in the visual field. At higher doses they become impossible to ignore with the lines, textures and color between solid objects appearing to blend and morph into one another in an extremely liquid fashion. Often until the original object becomes completely | It is not unusual to for objects and sceneries to be completely or partially melting. They begin at lower doses as a drifting of straight edges in the visual field. At higher doses they become impossible to ignore with the lines, textures and color between solid objects appearing to blend and morph into one another in an extremely liquid fashion. Often until the original object becomes completely unrecognisable. It is also common for objects to appear to be melting before your eyes despite never making any actual progress at the same time. This part of the effect needs to be experienced to be understood. | ||
====Texture repetition==== | ====Texture repetition==== | ||
This is yet another visual effect that applies to textures. Instead of simply distorting textures or making them more interesting it seems to completely replace them with often fantastical versions of themselves. Seemingly generated through the textures suddenly beginning to repeat into themselves in a symmetrical nature, revealing new, previously unseen images and patterns. | This is yet another visual effect that applies to textures. Instead of simply distorting textures or making them more interesting it seems to completely replace them with often fantastical versions of themselves. Seemingly generated through the textures suddenly beginning to repeat into themselves in a symmetrical nature, revealing new, previously unseen images and patterns. A consistent way to produce this visual is to stare at a rough surfaces such as grass, tarmac and gravel. | ||
A consistent way to produce this visual is to stare at a rough surfaces such as grass, tarmac and gravel. | |||
====Depth Perception Distortions==== | ====Depth Perception Distortions==== | ||
It is very common to experience both extreme and subtle distortions in depth perception during a psychedelic experience. This is where the depths and layers of the scenery in front of you can become exaggerated, skewed or completely mixed up. A classic example of this is the swapping of layers in a scenery. This is where objects in the background come into the foreground and objects in the foreground get pushed into the background. Another example of skewed depth perception is a complete loss of it, when the different sections of a scenery both close up and far away will unify into one flat image momentarily. | It is very common to experience both extreme and subtle distortions in depth perception during a psychedelic experience. This is where the depths and layers of the scenery in front of you can become exaggerated, skewed or completely mixed up. A classic example of this is the swapping of layers in a scenery. This is where objects in the background come into the foreground and objects in the foreground get pushed into the background. Another example of skewed depth perception is a complete loss of it, when the different sections of a scenery both close up and far away will unify into one flat image momentarily. | ||
An almost consistent way to reproduce this visual is by laying down under a tree and looking through the branches at the sky | |||
An almost consistent way to reproduce this visual is by laying down under a tree and looking through the branches at the sky, consistently causing the sections of sky in between the branches to come into the foreground whilst the branches get pushed into the background. | |||
====Scenery Slicing==== | ====Scenery Slicing==== | ||
Scenery slicing is a fairly uncommon visual but appears across multiple people and regularly enough to make it worth mentioning. This effect usually happens | Scenery slicing is a fairly uncommon visual but appears across multiple people and regularly enough to make it worth mentioning. This effect usually happens spontaneously and makes the scenery appear as if it has been cut remarkably cleanly into separate slices with a razorblade. These separate slices can be as simple as 3 separate sections or as complex as multiple slices of a moving interlocking spiral that’s been cut into your field of vision. | ||
===Psychedelic | ===Psychedelic Visuals=== | ||
The third category of visual effects that I am going to describe are known by the psychedelic community as visuals. They are the experience of a persons visual field becoming encompassed by fast moving geometric forms and are manifested in a wide variety of ways… | The third category of visual effects that I am going to describe are known by the psychedelic community as visuals. They are the experience of a persons visual field becoming encompassed by fast moving geometric forms and are manifested in a wide variety of ways… | ||
Visuals can be described as the sensation of a person’s field of open and closed eye vision being partially or completely encompassed by fast-moving kaleidoscopic and indescribably complex geometric patterns, form constants, shapes, fractals, structures and colour. Common descriptions of visuals are generally along the lines of the geometry being fractal representations of repeating forms, embedded within each other. This geometry commonly includes vast and intricate form constants that among many other things, take the style of webs, grids, checkerboards, spirals and funnels in a huge variety of colours. | Visuals can be described as the sensation of a person’s field of open and closed eye vision being partially or completely encompassed by fast-moving kaleidoscopic and indescribably complex geometric patterns, form constants, shapes, fractals, structures and colour. Common descriptions of visuals are generally along the lines of the geometry being fractal representations of repeating forms, embedded within each other. This geometry commonly includes vast and intricate form constants that among many other things, take the style of webs, grids, checkerboards, spirals and funnels in a huge variety of colours. | ||
Here are a collection of examples that I feel are somewhat accurate, how ever the vastness and complexity of true psychedelic visuals are impossibly more intricate, meaning neither of the gallery’s above even come remotely close to the real experience. | Here are a collection of examples that I feel are somewhat accurate, how ever the vastness and complexity of true psychedelic visuals are impossibly more intricate, meaning neither of the gallery’s above even come remotely close to the real experience. | ||
Fractals are an extremely common feature of Psychedelic visuals. They are a concept that exists within mathematics and can be described as complex patterns that repeat infinitely into themselves allowing for the same self similar image to be found no matter how far you zoom into any part of the image. Below is a collection of psychedelic fractals similar in appearance to those found with visuals. Click the image to open up a gallery of example images. | Fractals are an extremely common feature of Psychedelic visuals. They are a concept that exists within mathematics and can be described as complex patterns that repeat infinitely into themselves allowing for the same self similar image to be found no matter how far you zoom into any part of the image. Below is a collection of psychedelic fractals similar in appearance to those found with visuals. Click the image to open up a gallery of example images. | ||
Psychedelic visuals never stand still at any point and are extremely fast changing in terms of their shape and style within themselves. This happens whilst they are naturally drifting laterally or radially across the visual field to create overlapping webs of many arising and decaying geometric patterns, all of which are visible within a single perceptual frame. | Psychedelic visuals never stand still at any point and are extremely fast changing in terms of their shape and style within themselves. This happens whilst they are naturally drifting laterally or radially across the visual field to create overlapping webs of many arising and decaying geometric patterns, all of which are visible within a single perceptual frame. | ||
When experienced, visuals somehow have a deep sense of profoundness and importance attributed to them, and feel as if they are perfectly fitting geometric representations of your current mind state. There are 5 different levels of psychedelic visuals, each one increasingly dramatic and incomprehensible. | When experienced, visuals somehow have a deep sense of profoundness and importance attributed to them, and feel as if they are perfectly fitting geometric representations of your current mind state. There are 5 different levels of psychedelic visuals, each one increasingly dramatic and incomprehensible. | ||
'''Visual Noise''' – This is the most basic level of CEV’s and can be experienced in a completely sober state. It can be described as the random light and dark red regions that can be seen under the eye lids. | '''Visual Noise''' – This is the most basic level of CEV’s and can be experienced in a completely sober state. It can be described as the random light and dark red regions that can be seen under the eye lids. | ||
Light / Dark Flashes – This level is also easily obtainable without psychedelics and usually appears as regions of fleeting dark / light flashes of colour. | '''Light / Dark Flashes''' – This level is also easily obtainable without psychedelics and usually appears as regions of fleeting dark / light flashes of colour. | ||
'''Patterns, Motion and Colour''' – This is the level where things start to get distinctively psychedelic and complex indescribable shapes and patterns begin to show themselves. Reaching a level of detail that is brightly coloured and very fractal like. Only manifest themselves when a person is closing their eyes at first but eventually becoming laid across your field of vision as a flat translucent veil in front of your eyes. | '''Patterns, Motion and Colour''' – This is the level where things start to get distinctively psychedelic and complex indescribable shapes and patterns begin to show themselves. Reaching a level of detail that is brightly coloured and very fractal like. Only manifest themselves when a person is closing their eyes at first but eventually becoming laid across your field of vision as a flat translucent veil in front of your eyes. | ||
| Line 91: | Line 85: | ||
== Hallucinatory states == | == Hallucinatory states == | ||
The third sensory effect | The third sensory effect is perhaps the most profound subjective sensory effect that the psychedelic experience has to offer. Hallucinatory states are the fourth and final category of psychedelic hallucination. They are extremely varied in their intensity but eventually become full on 3D scenarios that feel completely realistic. They are manifested in a wide variety of ways… | ||
====Imagery==== | ====Imagery==== | ||
hallucinatory states, begin at lower doses as imagery embedded within the visuals. Which can be described as spontaneous moving or still scenes, objects, people, animals, concepts, places or anything you could possibly imagine. They are often formed out of visuals themselves and are displayed in varying levels of detail ranging from “cartoonish” in nature to completely realistic, rarely holding form for more than a few seconds before fading or shifting into another image. | hallucinatory states, begin at lower doses as imagery embedded within the visuals. Which can be described as spontaneous moving or still scenes, objects, people, animals, concepts, places or anything you could possibly imagine. They are often formed out of visuals themselves and are displayed in varying levels of detail ranging from “cartoonish” in nature to completely realistic, rarely holding form for more than a few seconds before fading or shifting into another image. | ||
On certain psychedelics, the imagery is manifested as an exact visual representation of whatever you are currently thinking about in your minds eye, turning abstract ideas into a concrete image and completely limitles in its abilities. An experience which is also found by some people during hypnagogia (the state between awake and sleep) and is known by the scientific community as “auto-symbolism”. | On certain psychedelics, the imagery is manifested as an exact visual representation of whatever you are currently thinking about in your minds eye, turning abstract ideas into a concrete image and completely limitles in its abilities. An experience which is also found by some people during hypnagogia (the state between awake and sleep) and is known by the scientific community as “auto-symbolism”. | ||
====Transformations==== | ====Transformations==== | ||
Psychedelic transformations are essentially open eye imagery. They are progressive in nature, which means they form by arising from patterns or objects, and then over a period of seconds drift, smooth, or lock into an entirely new appearance of still or animated objects, people, animals, concepts, places or anything you could possibly imagine. Usually enhanced by the separate visual effect of enhanced pattern recognition. Causing vague stimuli which already look vaguely like abstract concepts thanks to our inbuilt sense of paredolia to transform into extremely detailed versions of what they were already perceived as. | Psychedelic transformations are essentially open eye imagery. They are progressive in nature, which means they form by arising from patterns or objects, and then over a period of seconds drift, smooth, or lock into an entirely new appearance of still or animated objects, people, animals, concepts, places or anything you could possibly imagine. Usually enhanced by the separate visual effect of enhanced pattern recognition. Causing vague stimuli which already look vaguely like abstract concepts thanks to our inbuilt sense of paredolia to transform into extremely detailed versions of what they were already perceived as. | ||
The process of smoothing or locking which transformations seem to be | |||
The process of smoothing or locking which transformations seem to be fuelled by requires some minimal amount of focus and concentration to sustain. Losing concentration for an instant can cause the image to fade away or shift into another image. Holding the eyes still will increase intensity of progressive transformation. | |||
====Hallucinations==== | ====Hallucinations==== | ||
As these states of imagery become increasingly elaborate (proportional to dosage), they eventually become all encompassing fully-fledged 3D hallucinations. These could be anything but generally fall under common archetypes such as induced mystical states, contact with autonomous entities, imagined landscapes, spirit dimensions and situations that seem so unlike anything previously experienced that they are in all probability untranslatable into English. Hallucinations often feel extremely mystical, spiritual and religious in nature regardless of the trippers theistic beliefs and it’s not uncommon for people to report that high level psychedelic hallucinations feel infinitely “realer” than anything the person has previously experienced. | As these states of imagery become increasingly elaborate (proportional to dosage), they eventually become all encompassing fully-fledged 3D hallucinations. These could be anything but generally fall under common archetypes such as induced mystical states, contact with autonomous entities, imagined landscapes, spirit dimensions and situations that seem so unlike anything previously experienced that they are in all probability untranslatable into English. Hallucinations often feel extremely mystical, spiritual and religious in nature regardless of the trippers theistic beliefs and it’s not uncommon for people to report that high level psychedelic hallucinations feel infinitely “realer” than anything the person has previously experienced. | ||
Contact with autonomous entities are very common, these entities generally appear to be the inhabitants of a perceived independent reality. They are expectant of your appearance and enjoy interacting with them in various ways. The behaviour of a typical entity is one of a loving kind intelligence that simply wants to show you as much of their hyper dimensional space, bestowing specific pieces of knowledge upon you as quickly as possible before you begin to come down or slip into another hallucination. This is often done by directly manipulating what you can see and view; intentionally propelling trippers in different directions at disorienting speeds, forcing them to view or pass directly through macro and microscopic scale settings, including: planetary systems, galaxies, quasars, natural environments, space habitats, technological utopias, neurons, DNA, mitochondria, trilobites, cephalopods, bryozoa, and artificial self-replicating machines. Once the comedown inevitably begins to happen they are genuinely saddened by your disappearance, often wave goodbye and encourage you to visit more often. | Contact with autonomous entities are very common, these entities generally appear to be the inhabitants of a perceived independent reality. They are expectant of your appearance and enjoy interacting with them in various ways. The behaviour of a typical entity is one of a loving kind intelligence that simply wants to show you as much of their hyper dimensional space, bestowing specific pieces of knowledge upon you as quickly as possible before you begin to come down or slip into another hallucination. This is often done by directly manipulating what you can see and view; intentionally propelling trippers in different directions at disorienting speeds, forcing them to view or pass directly through macro and microscopic scale settings, including: planetary systems, galaxies, quasars, natural environments, space habitats, technological utopias, neurons, DNA, mitochondria, trilobites, cephalopods, bryozoa, and artificial self-replicating machines. Once the comedown inevitably begins to happen they are genuinely saddened by your disappearance, often wave goodbye and encourage you to visit more often. | ||
Entities can literally take any form but common subconscious archetypes are definitely present and contact with bodiless super intelligent Humanoids, Aliens, Elves, Giant Spheres, Insectoids, Beings of Light, Plants and Robotic Machines are common. | Entities can literally take any form but common subconscious archetypes are definitely present and contact with bodiless super intelligent Humanoids, Aliens, Elves, Giant Spheres, Insectoids, Beings of Light, Plants and Robotic Machines are common. | ||
These creatures and entities are comprised of a non physical psychedelic visual based material. Communicating with trippers via a combination of telepathy, visual linguistics, mathematics and morphing coloured structures of different textures. This complex visual language is capable of expressing pure meaning in a way that our current system of small mouth noises will never be able to become close to matching. | These creatures and entities are comprised of a non physical psychedelic visual based material. Communicating with trippers via a combination of telepathy, visual linguistics, mathematics and morphing coloured structures of different textures. This complex visual language is capable of expressing pure meaning in a way that our current system of small mouth noises will never be able to become close to matching. | ||
Lower levels of simple entity contact can be described as a sensed presence of “The Other” that is clearly there but unable to fully manifest itself and communicate with you due to too low of a dosage. | Lower levels of simple entity contact can be described as a sensed presence of “The Other” that is clearly there but unable to fully manifest itself and communicate with you due to too low of a dosage. | ||
===Miscellaneous, unique and rare visual effects=== | ===Miscellaneous, unique and rare visual effects=== | ||
Although there are many universally experienced visual components of a psychedelic experience, you should not allow this guide to give you preconceived notions for two separate reasons. The first reason is that although I’ve done my best with these descriptions and images they will never come close to the real experience, the real thing is incomprehensible, logic defying and impossible to translate into two dimensional images and words. The unenglishable factor is one of the few things that all psychonauts can all agree on so keep it in mind. | Although there are many universally experienced visual components of a psychedelic experience, you should not allow this guide to give you preconceived notions for two separate reasons. The first reason is that although I’ve done my best with these descriptions and images they will never come close to the real experience, the real thing is incomprehensible, logic defying and impossible to translate into two dimensional images and words. The unenglishable factor is one of the few things that all psychonauts can all agree on so keep it in mind. | ||
The second reason is that the psychedelic experience is still a subjective experience and not by any means confined and limited to these visual components. As occasionally, just occasionally rare and one time only visual effects seep their way into the trips. These effects can be anything and usually occur at higher doses. Unique visual effects are completely personal to you and something that nobody else on the planet has ever seen before or will ever likely get to experience again. Psychedelics have led me to the conclusion that the human mind has not even come remotely close to being fully explored making experiencing the unimaginable much easier than most people think. So remember, do not limit your perception to the components described above, because there is more to the psychedelic experience than words can ever say. | The second reason is that the psychedelic experience is still a subjective experience and not by any means confined and limited to these visual components. As occasionally, just occasionally rare and one time only visual effects seep their way into the trips. These effects can be anything and usually occur at higher doses. Unique visual effects are completely personal to you and something that nobody else on the planet has ever seen before or will ever likely get to experience again. Psychedelics have led me to the conclusion that the human mind has not even come remotely close to being fully explored making experiencing the unimaginable much easier than most people think. So remember, do not limit your perception to the components described above, because there is more to the psychedelic experience than words can ever say. | ||